Posts Tagged ‘Joe Bennion’

Next week’s sale event has an added bonus.

Saturday, November 30th, 2013

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Come on down, check out the pots, Das Cafe before 3 pm and come to this fun event.

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Lori making awa with the goods.

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James Setty and Jim Pritchard. My brothers from a different mother.

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The sale contimues November 30 and December 7.

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Lotts of things to buy.

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Katherine and Leonard Romney…all smiles.

Grateful Firing

Friday, November 29th, 2013

Thanksgiving Day 2013. I unloaded the kiln while the bird was roasting at home. Grateful day for sure.
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36 hours of cooling and the wood burner is ready to unload.

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Breaking away the door plaster.

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The first glimps bodes well.

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Doors unbricked and ready to go.

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Davey and Jonathan dropped by to help.

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Small jugs. $36 ea.

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Hot face tea bowls. $50 ea

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Round boxes with thistle slip. $75 ea.

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Yummy soup bowls. $40 ea.

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Small tea bowls. $25 ea.

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Bread Bakers. $180 ea.

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Motar and Pestel sets. $24 ea.

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The tea pots. $200 ea.

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The pies $60 ea.

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The jugs. $90-$120 ea.

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The whole mess.

The Potter’s Meal and platters

Friday, October 26th, 2012

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The day began fairly normal with me making 15 pound lumps of clay like this into platters that I will stamp mottos and slogans into later.

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Steve Olpin our long time film making friend showed up last night so he could spend the day shooting Lee in her studio. Here is Adah star of Steve’s 1993 classic “The Potter’s Meal” hanging out on the set. Steve is making a various short films to post on his YouTube chanel.

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Lee and Steve checking out what he shot while waiting for lunch at Das Cafe on Main Street in Spring City.

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Carrot Cake to die for.

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After lunch an impromptu shoot in from of the cafe.

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Autumn Woman 2

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Summer Art Stroll

Monday, August 10th, 2009

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Lee and Joe have been invited to show with the resident artists at Flynn Artipelego this Saturday. Pack up the babies and grab the old ladies. Everyone go.

The wimp’s way to make it big.

Thursday, January 15th, 2009

When I was learning how to build pottery on the wheel a few decades back there was a really large guy in the studio who made big pots. He always made them from one big lump of clay and was a gas to watch. He made the most amazing shapes with his mouth while he was throwing. My cousin Scott (who got me into ceramics) remarked that he must be one heck of a kisser. One time a cute little girl named Nora asked him to throw her a bathtub. He said he would if she would use it to bathe in the studio. Not having his physical endowment I didn’t try stuff like that. Then came along Shirley Ray, this relatively small and skinny girl, who made pots big enough to hide in using some Korean methods.
I have not made a lot of big pot because I have to stick with what I can move through my inventory. I suppose that may sound mercenary but it is a fact of life for one who makes his living with clay. If I am selling pots I get to make more. I love making pots a lot. It is a real kick. Nothing turns me off in terms of wanting to get muddy as much as looking at a full showroom. I now have a couple of interior designer clients who want big stuff so I dusted off Shirley’s methods and am using them with my middle aged arthritic hands to make, what are for me, big pots. So with the help of ibuprofen and some cheater moves I am making big bowls this week. Too bad Nora isn’t around.
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I am starting with a fairly hefty 30 lb platter thrown with a slightly concave rim. I let it sit in a breeze free studio or with the electric wheel turning slowly to prevent uneven drying.
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When the platter is leather hard but not too dry I score the rim with a serrated rib and wet it down pretty well.
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I use an old Brent extruder to make a 1.5″ coil. Ten lbs of clay makes a coil that will fit this 20″ platter.
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I lay the coil down on the scored and dampened rim and make a lap joint.
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If the rim has been dampened enough I can knit the outside edge as shown above. The inside is no problem as it is still plastic clay. The knitting is done with a wiping not pinching motion using a dry digit. (Usually my thumb.)
Note: If you let the bowl dry too much this knitting is harder to do and you run the risk of a dry joint that will crack somewhere between now and the final firing.
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When I am satisfied that the knitting is complete I wet down the coil and carefully throw it to the desired hight. At this point the newly thrown section is allowed to dry to the same leather hard state as the platter was. If I am in a hurry I’ll use a weed burner to push things along. This method is OK but must be done carefully so as not to over dry the bowl, and for hecksake don’t burn down the shop.
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When the new rim is stiff enough (but not too dry) I add another coil like the last one. and throw it to the desired hight and thickness. If the rim is too thin a 1/2″ coil can be added after the required drying has been allowed.
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I like to texture some of these especially if I am thinkig of applying a glaze that is sensitive to thick and thin variations. The stamps are bisqued clay. The bread knife is from a flea market in Missouri where my mother lives. I have a hard time passing up a flea market, thrift store or kitchen shop. They have so many good potter’s tools.

Listening this morning to the Rick n’Roll Show on Gulch Radio this morning.

15 Bytes

Saturday, September 6th, 2008

A week or so ago Shawn Rossiter came by with John Stevens while I was busy trimming the last pots for my September firings. Shawn edits an online magazine called 15 Bytes about art in Utah. You can access his piece here. He also wrote a piece about Spring City Arts.

Rick’s photos

Wednesday, April 9th, 2008

Rick Gate has a new leica. He brought it by recently and shot a bunch of files of me making pots. I’ll share a few here.
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Joe the Potter happy at his kraft. Warming up here for the pottery olympics to be held in Tibet later this year.
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Local boy makes good with big balls of mud.
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The following series detail the making of a tall 10 lb cylinder from tow 5 lb cylinders.
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The phone rings a lot at my shop.
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Lining up the cylinders with breath tightly held in check.
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Carefully joining the two parts.
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Cutting the upper half away from the bat with a fettling knife.
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After the bat is removed extra clay can be trimmed away. If you hold your mouth just right this will work at home kids.
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A couple of pulls will make the joining of the two halves work better visually.
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The joint is now the weakest part of the pot so I pull out the “cheater” to stiffen it up and the #&*$! phone rings again.
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Be careful Daddy be careful!
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A row of finished pots.